Saturday, July 19, 2008

BOOK: The Thirteenth Tale


"Eerie and fascinating..." USA Today said. This is the more diplomatic way of saying what most readers, including myself, may have thought. My words were along the lines of...bizarre. Twisted. And more than a little creepy.
Don't get me wrong - I thoroughly enjoyed it. The writing is absolutely beautiful - I began marking passages that I liked, but stopped after the first chapter when I realized I was turning the entire book yellow - I thought briefly about highlighting the passages that did nothing for me, but that just seemed silly, so I laid my highlighter aside and just immersed myself in the rhetoric. The words, their style and their rhythm reminiscent of an earlier period in literary history when the words with which the story is written are equally as important as the story they tell, these words were paced. It was no Twilight - no rush through the tale, no reading into the deepest recesses of the night, no looking up and realizing that you've read 50 pages in the last half hour but have learned nothing. It had depth. It required mastication. In shorter terms, Thirteenth Tale was not, as my brother so aptly book it, "intellectual popcorn". Neither was it chicken soup. Neither caviar nor stew. No, it was more like a Reuben. A little tart and difficult to swallow at times, neither wholly tasteful nor bad-tasting, neither elite nor ordinary, odd but gently addicting.
In fact, that is exactly how I would describe the book - gently addicting. I found, halfway through it, that although I felt no particular connection to the characters or their stories, when I considered not finishing the book, something nudged me to continue. A soft curiosity which never once turned to obsession. As the tale progressed, that soft curiosity did turn into a more resolute wonderment. The twisted tale, impossible to deduce the mysteries, was appealing for its bizarre tragedy. But more than anything, I appreciated the fact that, although the story was strange, it was certainly not unbelievable, especially because there was no stupid sidestory - no one was being followed, no chase scenes, no bomb to defuse. Just painful secrets. I was wrapped in the story, like a very warm blanket, but it did not force itself on me and smother me like other books have (again, Twilight comes to mind). It was beautiful in its simplicity, and simple in its beauty.

The book ends well, with resolution and a beautiful closure. It was a book that, upon finishing, I furrowed my brow. Hm, I thought. Hm.






My recommendation: read it.

Sunday, July 6, 2008

MUSICAL: The Pirate Queen


Alain Boublil and Claude-Michel Schonberg, the masterful team who brought the world such soaring musicals as Les Miserables and Miss Saigon, have written a new musical: The Pirate Queen. The story, a historical drama, is touching and desperate and sweet, and while the show opened to generally bad reviews and sales, the music is alright. I say "alright" because, although I have grown to like it very much through repeated listenings, I was quite disappointed at first. It seems as though Boublil and Schonberg are attempting to be Andrew Lloyd Webber in their use of electric guitars, when, in reality, the reason why their other projects have been so impressively successful is in their ability to utilize a classical orchestra, and especially violins. No one can forget the strikingly poignant melodies of Les Miserables - why not use a formula that has been proven a triumph? Of course, the music of a show is only icing - it is the story that really matters, even though some would argue otherwise. For example, the music from Wicked, a show whose story is based around the life of the Wicked Witch of the West, held no beauty for me until I knew the story. It has since become a personal favorite.(Interestingly, the woman who played Elphaba in the production of Wicked which my sister and cousins saw in Denver is the star of Pirate - Stephanie J. Block) The Pirate Queen has a good story,an exceptionally good story, actually. One that is perfectly formulated to the emotions of an audience - but it is not put together especially well.
Nonetheless, I like the music, particularly "Woman" and "I'll be There".